Over 40 years of experience shaping client‑provided music into powerful, performance‑ready mixes.
Hear My WorkNick began editing music in the era of analog tape, working with early recording machines long before digital audio workstations existed. He has spent decades transferring and transforming music across formats — from vinyl records to cassette tapes, from cassettes to CDs, and now into the digital world.
Today, Nick brings that deep technical background into modern audio engineering, offering clean, high‑impact edits tailored to dancers, performers, and creators. Every project starts with your legally obtained music. Nick provides the editing skill, technical precision, and creative shaping — you provide the audio.
Timing‑perfect cuts, transitions, and rearrangements for performances and competitions.
Leveling, EQ balancing, noise cleanup, and clarity enhancement for your provided tracks.
Creative restructuring of your music to match choreography, mood, or energy.
Yes — all edits require you to supply your own legally obtained music. I provide the editing, engineering, and creative work; you provide the audio.
I accept MP3, WAV, AIFF, and most standard digital formats. I can also help transfer older media such as cassette, vinyl, and CD.
Most edits are completed within 2–3 days after receiving your music. Complex medleys or restoration projects may take a bit longer.
Absolutely — as long as you provide all the tracks. I can blend, transition, and structure them into a performance‑ready medley.
Yes — I’ve partnered with studios to complete full recital seasons, competition routines, and custom choreography edits.